In 16 short years, mirrorless cameras have gone from being the new kid on the block to the new normal, now accounting for about 90% of all sales of interchangeable-lens digital cameras. The compact Panasonic Lumix G1 was the very first mirrorless camera, and it changed the photography world forever.
Shorebirds in Australia are striking, not just for their beauty but for the skill it takes to capture them. They move fast, they appear and disappear with the tides, and if you don’t know their feeding habits, you’ll come home with empty memory cards.
The new Nikon NIKKOR Z 50mm f/1.4 lens is an intriguing option for anyone considering adding a fast prime to their gear collection. It offers a mix of familiar features with some quirks that make it unique, all at a very reasonable price.
You can never have too many wide angle lens options. Different uses require different capabilities, and this new prime option is more versatile than it seems.
The photographer who believes their education ended with their last workshop or tutorial is already obsolete. They just don't know it yet.
Remember when you could spot a "serious" photographer by the motor drive hanging off their Nikon F3? Or when the difference between ISO 800 and ISO 1600 capability could make or break a camera purchase decision? If you're nodding along, you've witnessed some interesting technological shifts in photographic history that completely obliterated features that once defined camera excellence.
Camera settings can make or break your images, yet sorting through endless menus to find the right combinations can be overwhelming. Getting comfortable with just a few important settings can greatly speed up your process and improve your results.
Knowing how to quickly and effectively adjust your photos in Lightroom can significantly improve your final results. Getting the basic sliders right means your images look natural, realistic, and closer to what you saw when taking the shot.
Choosing your first landscape photography camera isn't about specs alone—it’s about finding gear that suits you personally. The right camera can make the difference between thriving or getting stuck worrying about equipment.
You can have all the talent in the world. You can learn perfect lighting, sharp edits, flawless vision, but if you're not surrounded by the right people, none of it will matter. That’s the part no one tells you. Talent isn’t the issue. The real issue is isolation.
Simplicity in photography can be both freeing and frustrating. When you strip away complex tools and techniques, all that’s left is light, time, and a bit of luck. Shooting with a pinhole camera pushes that idea to the extreme. No lens, no moving parts—just a box with a hole, a piece of film, and a whole lot of patience.
A recent catastrophe led me to acquire a Peak Design Travel Tripod. In reviewing this for you I thought I would describe the process for choosing the best model to suit you.
For landscape photography, summer is a curse. Harsh, bright light and blue skies give some photographers nightmares. They stay inside and read Fstoppers articles. Probably. No one really knows—they keep so quiet. Maybe they should read this article, because summer just so happens to be a fabulous time of year to grab a camera and wander into town for a spot of street photography.
If you’re in the market for a high-performance camera, deciding between the Sony a1 II and the Sony a9 III might not be straightforward. Both cameras bring innovative features, but their strengths cater to different needs.
Wide angle portraits are uncommon because most people assume distortion ruins them. But understanding distortion can elevate your photography by giving you deliberate, dynamic control.
Wide angle zoom lenses face intense competition in the f/2.8 market, with manufacturers constantly pushing boundaries to offer more range and better performance. The Tamron 16-30mm f/2.8 Di III VXD G2 enters this crowded field and challenges both Sigma's 16-28mm and Sony's premium G Master options.
Adobe has just launched some AI video features as part of Firefly and, despite being beta and producing some terrifying results, Adobe is charging money for it.
Two years after its initial announcement for the Sony E-mount in September 2022, Tamron recently released the Tamron 50-400mm f/4.5-6.3 Di III VC VXD for the Nikon Z mount. With a range from 50mm to 400mm, this is a substantial range for one lens. But can it hold up?
I recently had the chance to use the Freefly Ember S2.5K, and at $25,000, this is hands down the most expensive camera I’ve ever worked with. But, surprisingly, for what it can do, I actually think it’s a bargain.
William Eggleston's documentation of the everyday, referred to by many as a revelation, is also regarded by others as overrated when judged in a modern context. This video by Tatiana Hopper, a respected voice on photography, dives into William Eggleston’s transformative work, leaving room for you to make up your own mind on where Eggleston's work sits in photographic history.
Street photography has grown hugely in popularity over the past couple of years. For me, it’s become one of my favorite photography genres because it’s easy to do, a lot of fun, and so accessible. Most of us live in or near a large town or city, so a spontaneous outing is feasible without planning. I like that. And you don’t need a lot of fancy, expensive gear.
Fuji's GFX medium format cameras promise superior image quality over the company's APS-C X system, but that advantage comes with significant trade-offs in weight, lens selection, and cost. Most photographers considering the upgrade focus entirely on pixel counts and dynamic range while overlooking how these practical limitations affect real-world shooting scenarios.
Nikon has updated one of its most important lenses, the NIKKOR Z 24-70mm f/2.8 S II. This is the kind of lens you rely on in every situation, and any changes to it matter. Here's a look.
Lenses like the Sigma 35mm f/1.2 Art and Sony 35mm f/1.4 GM have long dominated the fast 35mm space on Sony E-mount. But Viltrox, with its new 35mm f/1.2 FE LAB, is aiming right at the high end. Is this latest entry in Viltrox’s already impressive LAB series a competitor for the best-performing 35mm on E-mount?
For me, there are two heavy hitters in the AI retouching market: Evoto and Retouch4me. But is one better than the other?
Street photography demands more than just technical skill—it requires a fundamental shift in how you approach both your subjects and your craft. Most people struggle with confidence and direction when they first step onto the streets with their camera, missing countless opportunities because they hesitate or lack a clear vision.
Many photographers know the frustration of walking away from a shoot where everything looked right—but something still felt off. The lighting was clean, the model nailed every pose, the gear performed flawlessly—and yet, the images don’t land the way they should. Here's why.
The Hasselblad X2D 100C and 907X with CFV II 50C digital back are two medium format cameras offering 100-megapixel sensors and exceptional image quality. These cameras cater to different needs, and choosing between them depends on your priorities.
Viltrox has been on a tear lately, dropping new products, including lenses, video monitors, flashes, and more. It seems like every other week they are releasing another new lens, and the latest from the company is the Viltrox 85mm f/1.4 Pro lens, which is sure to be popular with portrait shooters.
Pastel color grading is a subtle yet powerful way to make your photos stand out, and you can achieve it easily with some simple tweaks in Lightroom. If you’ve ever wanted to experiment with color grading but felt overwhelmed, this method offers an approachable way to elevate your work.
You've probably encountered it—the annoyance of capturing what you think is the perfect shot, only to find out later it was ruined by a common issue. Apple quietly tackled this exact problem in its latest iOS 26 update.
Choosing the right 50mm lens can dramatically impact both image quality and day-to-day usability. The Canon RF 50mm f/1.4 L VCM lens has entered the scene promising high-end performance in a lighter package, raising questions about whether it's worth replacing the heavier but highly respected RF 50mm f/1.2 L.
Many photographers find editing frustrating, especially if they’re more focused on capturing the shot than on enhancing it later. However, mastering a solid editing workflow can drastically elevate the quality of your work, giving your photos the polish they need to stand out.
Creating flattering light with a portable flash can be tricky, especially when you’re on the move and don’t have room for bulky equipment. Whether you’re shooting at a wedding or just want a low-profile setup, finding the right diffuser to soften light without sacrificing portability is key.
Photographers are often asked about their “worst bridezilla” stories. My answer is always the same: I don’t use that term. I don’t appreciate its sexist origins, and I don’t believe it reflects reality. The bridezilla stereotype paints brides as self-centered, high-maintenance figures on their wedding day. In truth, the behavior people label this way is often the product of immense stress and societal expectations, especially in cisgender, heterosexual relationships.
How much difference can half a stop of maximum aperture make? Let’s see if it is worth carrying a much bigger and heavier lens.
ASUS has announced its latest laptop designed for creative professionals, the ProArt P16 (H7606), featuring high-end specifications tailored to the demands of digital artists, video editors, and content creators.
Creating presets in Lightroom can streamline your editing workflow, making it quicker to achieve consistent aesthetics across multiple images. Here's how to do it.
Apple’s little silver square has always been a study in contrasts: tiny yet ambitious, quiet yet powerful, simple yet surprisingly adaptable. The latest model—powered by the new M4 family—raises the bar again.
The Voigtlander 18mm f/2.8 Color-Skopar lens for Fujifilm X mount is worth a look. Its combination of compact size and unique optical character provides an experience many photographers crave but rarely find in modern lenses.
Printing your photography can feel daunting, expensive, or overly complicated, but it doesn't have to be. More importantly, seeing your work in physical form might fundamentally change your connection to your art.
The Nikon FE2 isn’t just another film camera sitting on a shelf. It’s one of those rare tools that carries history in its mechanics, a companion that shapes how you see the world through a viewfinder. Film cameras like this remind you that the way you shoot is often as important as the images you make.
Fujifilm has just announced its smallest and lightest medium format camera yet, the GFX100RF, in the heart of Prague, and we couldn’t miss it. What are our first impressions? Does it hold up to expectations? Or does it exceed them? In short, yes. But you’re not here for the short version, are you
The photography industry has a short memory. Every few years, we collectively forget the tools that once defined professional image-making, replacing them with newer technologies that promise greater convenience, better performance, or simply different aesthetics. But buried beneath decades of technological progress lie lenses that didn't just capture images—they created entire visual languages, established technical standards, and enabled photographic possibilities that seemed impossible at their time.
Portrait lenses come in all price ranges, but finding the right mix of quality and affordability can be tricky. The Sirui Aurora 85mm f/1.4 offers an appealing middle ground, delivering strong performance at a budget-friendly price.
In recent years, some of the world's cheapest lenses have made appearances in the world's most expensive movies. Several scenes in "Batman" (2022) and "Dune: Part Two" (2024) were filmed using re-housed vintage Soviet optics first produced in the 1950s. Surprisingly, these lenses—actually defective copies of optically superior German Zeiss designs mass-produced in Soviet factories—are cheap and plentiful and can be obtained for under $100 apiece. So why are major movies being shot on cheap lenses?
Who doesn’t love to travel and explore new places? And if you have a camera with you to document the experience, well, I can’t think of a more fun thing to be doing! I’m not including the obvious things most tip lists include, like planning ahead, shooting during golden hour, or traveling light. I’m more interested in the creative aspects of travel photography, so I’ve compiled five points to consider aimed at helping you bring home a collection of photos to be proud of—photos that tell a story and project a sense of place.
I’ve been practicing intentional camera movement occasionally for some years now. This technique, better known by its abbreviation, ICM, involves deliberately moving the camera during exposure. It turns out to be much more difficult than regular photography. You have to take movement into the equation.
Shooting portraits in natural light, if you get it right, can be very rewarding. You can easily create beautiful, moody, and very natural photos—with just a camera in your hand and a willing subject in front of you. Here are some thoughts that may help you get the best possible results.
Photography is full of lessons that take years to learn, but what if someone who's already gone through those years shared their insights today?
