The Fujifilm X-E5 promises to deliver flagship-level performance in an incredibly compact body that resembles a miniature X100 series camera. When a camera packs 40.2 megapixels, 5-axis image stabilization, and interchangeable lenses into such a small package, it demands serious consideration from anyone seeking a versatile everyday shooter.
Here's a radical thought: the most underutilized piece of equipment in your camera bag isn't that expensive filter you never remember to use or the flash modifier gathering dust on your shelf. It's something else that came with your camera and that you probably tossed aside.
We've reached a point in photography where basically every camera can take great images, so does skill simply not matter anymore?
No camera is perfect, but for me, the Sony a9 III is pretty close. Unfortunately, there is one problem that's holding this camera back.
Sigma’s new 28-105mm f/2.8 DG DN Art is the latest addition to the Art lens series. It's a wide angle to medium telephoto lens, making it an ideal choice for a variety of shooting styles and genres. Thanks to its constant f/2.8 aperture, you’ll get consistent brightness no matter how much you zoom, offering both flexibility and great image quality. Whether you’re capturing sweeping landscapes, taking portraits with smooth background blur, or even shooting videos, this lens is built to perform.
The Sigma 12mm f/1.4 DC Contemporary lens steps into a rare corner of the APS-C lineup. Wide primes at this focal length are scarce, and that means fewer choices when you want a compact lens with a dramatic perspective. Sigma’s newest option is designed for those who need strong low-light performance, portability, and a field of view that lets you capture more of a scene without stepping back.
The Nikon NIKKOR Z 24-70mm f/2.8 S II covers one of the most versatile focal ranges in photography and brings upgrades that matter if you spend long hours shooting. The mix of weight savings, optical improvements, and better handling makes it a serious option if you need a reliable standard zoom.
Most self-respecting landscape photographers will have dabbled in the delights of using filters on their lenses. I’ve tried multiple brands with differing results but have always been more pleased with the photos when using Urth filters than any others. This review will guide you through what different filters do and why I rate them so highly.
Adobe has released, without fanfare, a work-in-progress camera app for iPhones that shows tremendous promise, and I think it will excite photographers. The app is part of Adobe's Indigo Project.
Posing portraits shouldn't be complicated, yet it's an area many find challenging. Getting poses right transforms your images from ordinary to powerful.
The Sigma 17-40mm f/1.8 DC Art lens is a rare kind of zoom. It covers popular focal lengths like 24mm and 35mm, both staples in everyday shooting, while offering a wide maximum aperture that replaces several primes at once. Having this kind of flexibility in a single compact lens can change how you carry your kit and how you approach different types of work.
Switching from Lightroom to another digital asset management and development tool can be daunting for photographers. There are very good reasons to, and DxO PhotoLab 8 is one of the most compelling options. Here’s why and how a Sony Ambassador made the switch.
Landscape photography has become boring. How many more photos do I have to scroll through on social media of the same old locations? Those must-have photos of the red houses in Hamnøy, Lofoten; the waterfall at Kirkjufellsfoss, Iceland; the lone tree at Buttermere in the Lake District. It’s like looking through a schoolboy’s stamp collection. Every kid has exactly the same stamps because they’re the easiest ones to find and buy with your pocket money.
This past year, Adobe rolled out a terms-of-use update that shook the creative community. The way this update was worded made it appear as though you were giving them complete rights to your artwork just by using their services in any way. Users were rightfully scared, and the pitchforks came out. There have been some updates to the situation, and I recently went to Adobe MAX to speak with them directly.
VSCO has introduced VSCO Workspace, a studio and client-management platform that integrates the Táve Studio Manager CRM and adds new tools aimed at helping photographers run day-to-day operations in one place. The software is designed to scale from solo operators to multi-person studios, with an emphasis on workflow automation and business organization.
A few months ago, I explored a new photography challenge and invested in an infrared filter for landscape photography. I could've bought an already converted used camera, but after looking at what was available on the used market and specialist conversion services, investing in a filter seemed to be at a more appealing price point and the best of both worlds. After several trials and tribulations, I became hooked on this newly discovered world of infrared photography.
Thomas Heaton drops a quick gut check on the state of film: remember when old point-and-shoots gathered dust in thrift stores, then suddenly became flex pieces on Instagram? Overnight, Contax compacts leapt from a few hundred bucks to nosebleed prices. That wave carried a lot of us back into the darkroom.
Finding a camera that genuinely fits your workflow can dramatically impact your enjoyment of photography. When your gear feels right in your hands, you're able to focus purely on the shot, rather than fighting with ergonomics or complicated settings.
Retro-inspired cameras aren’t just about nostalgia. They offer a tactile shooting experience and physical controls that many modern designs have lost. If you value the feel of metal dials under your fingers and a body that recalls film-era craftsmanship, the two models here are among the most talked-about options in that space right now.
If you want a small and lightweight Canon lens to fill the gap between wide angle and telephoto, the lens we review in this article is a great choice.
The OM SYSTEM OM-1 Mark II mirrorless camera is designed to solve one of the biggest challenges you face in the field: balancing performance with portability. When you spend long hours outside carrying heavy gear, every pound matters, and having the right setup can mean the difference between getting the shot or missing it.
Photography gear costs have skyrocketed. New Z-mount lenses regularly exceed $2,000, putting professional optics out of reach for many photographers. But there's good news: the used F-mount market overflows with incredible glass that performs brilliantly at accessible prices.
Golden hour is a great start, but learning to use light well goes far beyond the time of day. Here are three things about light I learned the hard way—and that I hope will help you make stronger landscape photographs.
A lens that can handle everything from wide landscapes to distant wildlife shots means you can travel lighter and react faster. You avoid carrying a bag full of glass and still have the range to shoot almost anything that catches your eye. That’s why a zoom like this matters if you want flexibility without the constant lens-swapping.
It’s one of the more popular vintage lenses: the Meyer-Optik Görlitz Trioplan 100mm f/2.8. It’s famous for its soap bubble bokeh. You either love the effect, or you hate it. I decided to buy one and used it on a Canon EOS R5. I want to tell you about my findings.
For the last few weeks, I have been filming with the brand new GoPro Hero 13 Black and the new DJI Osmo Action 5 Pro action cameras. To mix things up a bit, I also tested them against and Apple iPhone. Can your older "professional" model iPhone produce video that competes with these new state of the art action cameras? Let's find out.
Viltrox lenses are a better choice than Nikon’s Z-mount native lenses. There, I said it. And this is coming from someone who has used Nikon for 40 years and may even be somewhat of a “fanboy.” I’ve been impressed with Viltrox lenses for a few years now—and own three—but the new Viltrox AF 135mm f/1.8 LAB full frame is a whole new level of impressive.
If you shoot high-resolution stills and need reliable video on the side, the Sony a7R V mirrorless camera sits in a tempting spot. You get 61 megapixels, a superb EVF, and autofocus that lets you focus on the scene instead of fighting the camera.
After four years, Canon released the EOS R5 Mark II. The second iteration of the successful EOS R5 has received many upgrades. Is it enough for existing EOS R5 owners to make the jump to this newer model? Being such a photographer, I had a look.
What do you do when your heart wants a Sony RX10 IV, but your stock portfolio just took a beating since the start of the year? You turn to superzooms of yesteryear, and that's where I've come up with this interesting specimen from 2006: the Panasonic Lumix FZ50.
The Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD lens gives you the kind of reach that can replace several lenses in one. That matters because you don’t always want to carry a full kit when traveling or working in unpredictable conditions. Weight, convenience, and flexibility matter as much as pure image quality.
My favorite part about writing for Fstoppers is the chance to try out new and interesting camera gear. Recently, I got the opportunity to try the latest SD cards from SanDisk, the Outdoors series cards. Available in both SD and Micro SD, these are some of the latest tech for strong, durable memory cards. Let’s see how they performed in the field.
Restoring damaged photographs with AI can seem straightforward, but getting realistic results requires more than just a good algorithm. Knowing how to blend AI with human adjustments can drastically improve your restoration workflow.
The opening round of the 2025 US Open was supposed to be a routine night of tennis. Instead, it turned into one of the wildest scenes the sport has witnessed in years, complete with a photographer on the court, a furious Daniil Medvedev berating the chair umpire, and Benjamin Bonzi somehow surviving the chaos to win in five sets.
Here's how I failed at becoming a full-time photographer.
Modern lenses are perfectly sharp and crisp. But perfection is overrated and can be rather boring. I have a solution to add some character back into my photography and videos.
If you're in the market for a new macro lens for your Sony E or Nikon Z mount, you're definitely going to want to check out the new Tamron 90mm f/2.8 Di III VXD. I recently had the pleasure of testing this lens to review for you all, and I have to say, in price, quality, and features, it is spot on. Let's dive into it, and I'll share why.
The Sigma 200mm f/2 DG OS Sports lens is the kind of lens that makes you stop and take notice. A bright f/2 aperture at 200mm is rare, and Sigma has managed to package it into something lighter and more manageable than its older rivals while keeping the build and image quality up to a professional level.
What do you do when you’re out and about and forgot your camera? Well, if for some strange reason you don’t want to use your phone, Five Below has you covered. I checked out the store’s $15 camera offering, the Up-Tech Mini Digital Camera. Is it worth it?
I’ve had the Ray-Ban Meta smart glasses for a while now, and this is what I think of them as a professional photographer, as well as why I picked them up and whether I would do so again. Smart glasses have come a long way from their initial inception many years ago. While there is still a lot of ground to cover—where I’m sure they will become a more portable version of the Apple Vision Pro—for now, this is what we have. But is it worth it?
Adobe recently updated Lightroom Classic's noise reduction, a significant change affecting how you batch process your images. Here's how to get the most from it.
Ricoh Imaging has officially announced the development of the GR IV, the newest model in its GR series of compact digital cameras. Scheduled to be released in Autumn 2025, the GR IV continues the GR tradition of prioritizing high image quality, responsiveness, and portability, aiming to be a versatile and highly capable snapshot camera.
There are some things we photographers don’t realize we need until we own one. Although a field monitor is essential equipment for a serious videographer, it can be a boon for photographers too. Here’s what I discovered when I put the Neewer F700 7” monitor through its paces.
PolarPro is continuing to take us back on a nostalgic journey to celebrate the golden era of film photography and filmmaking with the launch of a new gold mist filter, called CineGold.
The photography industry witnessed one of business history's most dramatic upheavals during the digital revolution. Companies that dominated film photography for generations found themselves unprepared for fundamental changes in how images were captured, processed, and shared. This transformation claimed several iconic brands, each offering distinct lessons about navigating technological disruption.
I covered the announcement of the latest release of Radiant Photo last month. It looked promising, but reviewers didn't have it in hand to take a deep dive into the software. Now I've had it for a few days and want to share my thoughts and experiences.
Enhancing the foreground can dramatically transform your landscape photos. Mastering this skill makes your images more engaging by immediately drawing viewers into the scene.
Neewer has released a new contender in their Z series lighting: the Z2 Pro Round Head Flash. Being new to Neewer lighting, once the Nikon-compatible version was released, I grasped the opportunity to put this through its paces in an energetic portrait shoot. Could this be the quality-on-a-budget speedlight I have been looking for?
Nothing really puts a camera to the test like photographing a full wedding day. There is documentary photography, product photography, portraits, landscapes, and even low-light photography all rolled up into one event. So can the Fujifilm GFX100RF keep up?
