Wedding photographers have been dodging “Uncle Bobs” for decades, but there is a new guest in the way. The content creator is here, and they are not going anywhere.
If you want to find out about six essential apps for night (and day) photography, you've come to the right place. Whether you have iOS or Android, these apps will greatly enhance your photography. The sixth one is surely one that doesn't make it on many photography app lists!
A budget lens with a fast aperture can open creative doors that expensive glass sometimes can’t. The 7Artisans 75mm f/1.4 lens is a strong example of that: compact, solid, and priced at just $180. You’ll give up electronic contacts, autofocus, and weather-sealing, but what you get in return is a lens with real personality and a look that isn’t sterile or overly corrected.
As a professional travel photographer, I’ve shot around the world with some of the best gear Sony has to offer, including the Sony a7R V and top-tier G Master lenses. But after years of carrying heavy full-frame setups and investing thousands into the latest gear, I made a decision that might seem crazy to some: I sold it all and switched to the Sony a6700, a crop-sensor camera.
The Leica M11 is not just another digital camera. It’s a tool that forces you to slow down, commit to a process, and engage with your work in a more deliberate way. Whether you’re using it at a wedding, traveling abroad, or making everyday family photos, this camera asks you to be intentional. That alone makes it worth considering if you want to create images with more care and attention.
You bought all that autofocus and stabilization for a reason. Don’t handcuff it with a timid ISO. If the choice is “clean noise” or “clean motion,” pick motion every time; blur is forever, noise is negotiable.
Raw is practically a religion. It preserves sensor data, maximizes editing latitude, and lets you recover mistakes that would wreck a JPEG. That’s all true... and still incomplete. “Shoot raw or you’re not serious” turns a tool into a dogma. Tools aren’t moral; they’re contextual. The job dictates the format, not the other way around.
Upgrading lenses can dramatically change your experience, and the Sigma 17-40mm f/1.8 DC Art is Sigma's newest ambitious effort to redefine what's possible for APS-C mirrorless systems.
Street photography is a story of two halves. On the one hand, you can quite literally stroll down a street and capture some shots; whether it’s with your phone, a retro camera, or a modern DSLR, you’ll be doing street photography in one way or another.
Before you price out another lens, open your menu. Hiding behind plain names like “histogram,” “focus limiter,” and “touchpad AF” are five switches that quietly raise your keeper rate, clean up color, and shave hours off your edit. Flip them once, and your camera stops acting like a bag of parts and starts behaving like a partner. Your next upgrade isn’t in a shopping cart. It’s already in your hands.
Hasselblad has unveiled the X2D II 100C, a 100-megapixel medium format body that expands on the original X2D with HDR capture, AF-C continuous autofocus, and a stabilization system the company rates at up to 10 stops. The announcement also includes a new standard zoom, the XCD 2.8–4/35–100E, along with a line of 86mm filters and a camera backpack.
As someone who first picked up a camera at 10 years old and has been shooting professionally for the last 20 years, I thought I had everything I needed in my kit bag. That is, until I came across the NEEWER PS099S Mini V Mount Battery, now an essential kit item that I don’t plan location shoots without.
A few months ago, Sony released the long-awaited Sony FE 85mm f/1.4 GM II lens. It's fantastic, but it’s almost $2,000. This month, Viltrox released their own version, with identical specs for just $600, which is the same price as Sony's 1.8 variant. Let's test all three.
Build Quality Winner: ViltroxYou might expect Sony’s flagship to feel the most premium, but to my surprise, Viltrox takes the win here.
The Viltrox 85mm looks and feels remarkably similar to Sony’s GM lens, with a solid metal build, a customizable function button, and a smooth-...
The OM SYSTEM M.Zuiko Digital ED 12-40mm f/2.8 PRO II is one of those lenses you can carry almost anywhere without worrying about what you might miss. It covers the 24-80mm equivalent range, which means you can handle landscapes, portraits, events, and travel with just this one piece of glass. Having a constant f/2.8 aperture across the zoom range makes it even more valuable, since you don’t need to compromise in low light or sacrifice depth of field control.
Photography has evolved dramatically over the past 50 years, but certain cameras didn't just capture images—they fundamentally altered the entire medium. These five cameras didn't just introduce new features; they sparked revolutions that are still shaping how we create and consume photography today.
The Fujifilm GF 32-64mm f/4 R LM WR doesn’t get as much attention as some of the flashier primes in the GFX system, but it has been a quiet workhorse for years. If you spend most of your time balancing lifestyle, portrait, travel, or food photography, it offers a flexibility that helps you move between different kinds of images without swapping gear constantly.
Canon has released a set of lenses that carry the abbreviation VCM, short for Voice Coil Motor, a fast and silent autofocus system. The first three primes of this series are the RF 24mm f/1.4L VCM, the RF 35mm f/1.4L VCM, and the RF 50mm f/1.4L VCM. Let’s have a look.
Photoshop can feel like a cockpit the first time you open it, and getting your bearings is the difference between guessing and getting real work done. If you edit regularly, knowing where tools live, how panels interact, and which defaults to change saves you hours you can spend making images instead of hunting menus.
The LCD screen on your camera might look like a precise preview tool, but it rarely gives you a faithful representation of your shot. It shifts brightness and contrast in ways that can mislead you, which is why relying on it alone can cost you proper exposure in critical moments.
I’ve always been curious about what the "Q" in the Leica Q stands for. After some use, I’ve come to a conclusion: it stands for "Questionable."
Adapters are the bridge between today’s mirrorless bodies and yesterday’s affordable glass, but not all bridges feel the same underfoot. This guide explains how adapters work in practice, what usually delivers the best autofocus, which types of adapters exist (and when to use each), plus the real-world pitfalls that trip people up.
The camera industry has been pushing full frame sensors so hard that many photographers think anything smaller is automatically inferior. Here are five remarkable APS-C cameras that deliver professional results while offering advantages that even the best full frame cameras can't match.
The Sony a7R V was launched more than two years ago. And in terms of technology, that’s a very long time ago. But I don't think this camera should be overlooked.
As a photographer, have you gotten around to using CFexpress cards despite the higher costs? If not, then this new option just might convince you to change things up.
Creating flattering portraits isn’t just about telling someone how to stand. The way you position your subject, the lens you use, and the angle you shoot from all come together to decide how your subject actually looks in the final image. Small changes in these areas can completely transform how someone appears, which is why learning to control them matters so much.
Cinematic photos stand out because they feel like they belong to a story. They don’t just show a subject; they pull you into a scene that could just as easily be part of a film. Cinematic techniques can transform ordinary shots into ones that carry mood, depth, and a sense of mystery.
Magic Eye stereograms swept through the 1990s as a cultural phenomenon, capturing imaginations with their ability to transform a flat image into a mesmerizing 3D scene. For many, they became an intriguing challenge that separated those who could instantly discern the hidden depth from those left squinting at a frustrating blur (aka me).
It’s been an exciting few weeks for photography-gear enthusiasts, with product-announcement rumors coming in from every direction. But among all the speculation, as you might already know, DJI has officially entered the 360-degree-camera market with the launch of the Osmo 360.
In addition to new capabilities like a dedicated bird autofocus mode that bring the Z6III’s capabilities in line with cameras like the Z8 and Z9, Nikon’s new firmware 2.0 brings an added, likely overlooked, feature that is worth pointing out.
I got to spend a week with the new Canon PowerShot V1 and wanted to share with you my impressions that might hopefully help you decide if this is the right camera for you.
Which focal length is best for street and travel photography: 28mm or 35mm? If you've been thinking about buying a compact camera but you're not sure if 28mm or 35mm suits your style better, hopefully, this article will help.
As a practicing professional photographer, I evaluate my gear from time to time and make necessary upgrades to improve the efficiency of my workflow. After my recent crashing experience with the DJI Mini 4 Pro, I have decided to take a step back again to reevaluate whether this ultra-light drone is truly suitable for professional use or if I should just take the opportunity to get another drone.
I've never had the highest opinion of Hasselblad. 10-15 years ago I saw two of them completely fail on set. I saw them struggle with autofocus even in a bright environment. I've seen my cheap DSLR take better-looking images in low light.
Looking at this camera announcement, I had to ask myself: Has Sony completely lost their minds?
The Mitakon Zhongyi 55mm f/2.8 1-5x Macro is built for a very specific purpose: letting you see the world closer than most lenses allow. Extreme macro work pushes both your skills and your gear, and this lens gives you access to magnifications that would normally require specialized, expensive equipment. If you’re looking to capture the tiniest details in everyday subjects, this lens offers something unusual and challenging.
Ricoh has announced the GR IV, a pocketable APS-C compact that continues the fixed-lens GR line with a higher-resolution sensor, a newly designed 28mm-equivalent lens, expanded in-body stabilization, and much larger internal storage.
Photographers are trained to nod yes. In the beginning, it feels like survival, as every gig could be rent money, portfolio material, or a referral waiting to happen. Even seasoned pros get caught in the same reflex: saying no feels reckless, like turning down income in a field where nothing is guaranteed. The truth, though, is harder: some jobs cost you more than they pay, and others leave bruises that take weeks to shake off.
Tamron has announced the upcoming release of its 18-300mm f/3.5-6.3 Di III-A VC VXD (Model B061) lens for Canon RF and Nikon Z APS-C mirrorless camera systems. The suggested retail price is $629.
A smooth portrait session starts days before the first shutter click. Set expectations, reduce decisions, and build trust up front, and your clients will walk onto set relaxed, styled, and ready to give you real expressions. Here’s a five-part playbook you can copy, complete with scripts and micro-checklists.
In recent years, my photography has leaned further and further toward minimalism. This beautifully functional sling bag is the perfect match, as proven by a recent vacation to America’s West Coast.
A bright and high-quality f/1.2 portrait lens on APS-C is not common, and that makes the Viltrox AF 56mm f/1.2 Pro worth a closer look. A lens like this gives you shallow depth of field, sharpness, and subject isolation without needing a full frame body.
Photographers are always chasing fresh perspectives—but this time, I didn’t just change my angle, I completely flipped the rules. During a golf-themed shoot, I turned my light modifier into something it was never meant to be: the view from inside the golf hole itself. Here’s the story (and the shot) that came out of it.
Full frame cameras are known for two things: their incredible performance and their high price tag. I have pretty much always owned a full frame camera, but never paid full price for such a camera. In this article, I will share some options for those of us who want to go full frame but don’t want to pay full price.
Sony has announced the RX1R III, the third generation of its premium compact camera series featuring a 61-megapixel full frame sensor and fixed ZEISS Sonnar T* 35mm f/2 lens. The camera combines Sony's latest imaging technology in a palm-sized body designed for photographers seeking full frame quality in a compact form factor.
Broncolor has announced the Stelos 800 L, a battery-powered monolight delivering 800 joules and a notably compact design. The unit adds adjustable flash color temperature, a feature the company has typically reserved for its power packs, alongside high-speed sync, V-mount battery support, and USB-C power input. Availability is slated for September 2025 through authorized partners.
Medium format is the pinnacle of image quality. You can’t beat the physics of medium format. The price is also hard to beat, but in a bad way. Medium format is notoriously expensive. In this article, we will look at a few cameras that get me, as a medium format user, excited.
You don't need to spend thousands to capture magazine-worthy photos and television-worthy videos that rival expensive professional equipment. These 10 modern cameras (no DSLRs!) prove that exceptional image quality, advanced autofocus systems, and professional features are now accessible to photographers on any budget.
I've created a video to show how you can make mood boards. In fact, I've done a rebrand via mood boarding for Selena Gomez and her Rare Beauty brand. There are profits in play if you learn how to mood board correctly. I hope this video helps you.
I've been a professional photographer for 23 years and I've never been interested in or attempted wildlife photography. All that changed when Sony sent over the a9 III and their brand-new FE 400-800mm f/6.3-8 G OSS Lens. This gear, and this genre of photography has renewed my love for photography, but it's also got me worried.
I do not like Facebook. It feels like a haunted time capsule that insists on reminding me of who I was 14 years ago. It pops up with posts like a close-up of a dandelion paired with Death Cab for Cutie lyrics. Or it digs up photos from my first “portrait sessions” in 2009, when my friends graciously stood in front of my camera so I could figure out what aperture even meant. Every time I log in, it feels like an unwelcome nostalgia trip.
