In 2025, photography has never been faster or more automated. Cameras track eyes at 60 frames per second and send 45-megapixel raws to your phone in seconds. Yet thousands of photographers are loading Kodak and Ilford rolls, proving film isn’t dead—it’s thriving as a cultural counterpunch.
Thomas Heaton drops a quick gut check on the state of film: remember when old point-and-shoots gathered dust in thrift stores, then suddenly became flex pieces on Instagram? Overnight, Contax compacts leapt from a few hundred bucks to nosebleed prices. That wave carried a lot of us back into the darkroom.
Some say film photography is better than digital. Film has a more organic, natural look. Shooting with an analogue camera is a better experience and a purer form of photography. Others say digital photography is better because computer technology makes photography easier. You can shoot more frames and focus quicker, and experiment more by shooting more without the need for a second mortgage. Buckle up, this might get ranty.
In an era where smartphone cameras can capture 4K video and AI can enhance photos beyond recognition, something unexpected is happening in photography studios and college campuses across America. Young photographers are deliberately choosing 35mm film cameras over cutting-edge digital equipment, creating a renaissance that has film manufacturers scrambling to meet demand and camera shops dusting off decades-old inventory.
As a film manufacturer, Kodak’s role in America’s development of the atom bomb might seem unlikely. But this new book tells the story of how film manufacturers on both sides in WWII became integral to their nation’s war efforts, ushering in the age of nuclear weapons and the Cold War that followed.
These 10 exceptional medium format cameras represent the absolute pinnacle of analog photography technology, where legendary manufacturers pushed engineering boundaries to create tools worthy of the world's most demanding photographers. From the whisper-quiet precision of legendary rangefinders to the modular perfection of Swedish engineering icons, these cameras deliver image quality and shooting experiences that justify their premium pricing through decades of proven professional performance.
Medium format photography offers image quality that makes even the best full frame cameras look ordinary, and 2025 presents the perfect opportunity to dive into this magnificent world without emptying your savings account. Whether you're seeking the dreamy bokeh of 6x7 negatives or the tack-sharp detail that only larger film frames can deliver, these ten exceptional cameras prove that professional-quality medium format film photography remains accessible to dedicated enthusiasts willing to embrace the analog experience.
Film photography has undeniable charm, yet the hassle and cost can be hard to swallow. Digital convenience is appealing, but it sacrifices the tactile joy of analog gear. This device aims to give you the best of both worlds by turning your film camera into a digital camera.
The most valuable photographs you've ever taken weren't the ones you saw immediately on your camera's LCD screen. They were the ones you had to wait for—sometimes a week, sometimes longer—wondering if that perfect moment you thought you captured actually materialized on film. This isn't nostalgia talking; it's psychology, and understanding it reveals something profound about how we value images in an age where we take more photos in a day than our grandparents took in a year.
I visited my local camera store in Canada recently and chatted with the guy working there about film photography. He confirmed what I was already experiencing from spending too much time on YouTube, telling me how popular it’s become and how the popularity continues to grow. He said it’s mostly younger people getting into film photography, and they can’t keep a used film camera in the display case for more than a few days; they get snapped up. Why is that?
There's a lie we tell ourselves about photography equipment: that the camera doesn't matter. It's a comfortable fiction that lets us sleep at night, convinced that our artistic vision transcends mere machinery. But here's the uncomfortable truth that every photographer who lived through the transition from point-and-shoot to SLR knows deep in their bones: the moment you first wrapped your hands around a "real" camera, everything changed.
Picture this: You're standing in perfect golden hour light, watching a bride and groom share their first dance as married partners. Your light meter reads perfectly, your Nikon F4 is loaded with fresh Kodak Portra 400, and you've got exactly seven frames left on the roll. Seven. The pressure in your chest isn't just excitement—it's the very real anxiety that defined an entire generation of photographers who learned their craft when every single exposure had tangible, immediate value.
Film photography made a big comeback over the past decade, but where does it stand today, in 2025? The journey of film's revival and its current relevance is something worth understanding, especially if you're considering picking up an analog camera.
CineStill has just launched a revolutionary set of tools that redefines the film-to-digital workflow: the CS Negative+ Convert Tools, powered by its cutting-edge SpectraCOLOR™ technology. These free tools offer photographers a faster, more accurate way to convert color film negatives into vibrant digital positives that stay true to the analog essence.
The Hasselblad Xpan remains one of the most coveted and controversial cameras in film photography, commanding prices between $4,000 and $7,000 for a body and lens. This panoramic 35mm camera promises a cinematic shooting experience that fundamentally changes how you approach composition, but the question remains whether it lives up to the massive investment.
Before everyone became a photographer, there was a little yellow box that made everyone feel like one.
Walk into any modern home and observe where family photographs live. They exist as ghostly presences scattered across hard drives, trapped in smartphones, or floating in cloud servers owned by distant corporations. The physical photo album—once the sacred repository of family memory—has virtually disappeared from domestic life, taking with it an entire ecosystem of memory-making rituals that shaped how families understood their own stories.
In a culture of sensational media competing for our attention, an obvious path to dramatic images is to point your camera at dramatic stuff. But this photographer wants to show us the compelling beauty of the banal and the everyday that is, for most of us in this busy world, hidden in plain sight.
Shooting street photography on film offers a unique way to engage more deeply with your environment. Film requires intentionality and mindfulness that digital doesn't always demand, making it especially rewarding when done thoughtfully.
Mistakes are an unavoidable part of film photography, often teaching lessons far more memorable than successes. You may be all too familiar with the frustration of putting effort into your photos, only to ruin the results later in the development stage through impatience or oversight.
Maria Santos learned to stop looking at faces.
Always photograph with the end in mind. Make life easier for the guy in the darkroom, or the person in Lightroom—usually you.
Film choice makes a bigger difference than you might realize. Picking the wrong film stock can leave you frustrated with results that don't match your expectations or your budget.
Imagine taking a photo and not seeing it for a week. Imagine every click of the shutter costing real money. Imagine gathering your family around the kitchen table to pass around actual printed photographs, holding them up to the light, flipping them over to read date stamps printed in orange numbers.
Film photography can feel intimidating when you're getting started, but by nailing down a few essential aspects, you can significantly boost your skills.
The RolleiFlex 3.5F, with its classic Schneider lens, holds a special place in film photography—when it works. Reliability can be tough, but photographers keep coming back because when it's good, it’s outstanding.
You can’t argue that the world of film is making a comeback in a big way. This begs the question: Is shooting film an artistic and bold choice or just a trendy throwback?
Several years ago, I got a call one morning from the head ranger at Bighorn National Forest in Wyoming. He was inquiring if I would be interested in participating in Bighorn National Forest’s initial Artist in Residence program. That was during the COVID shutdown, and my state was really locked down—we couldn't even go camping in a state park! So, yes, absolutely yes.
Camping across Europe, camera in hand, can teach you a lot—not just about traveling, but about taking meaningful photos. Beyond gear choices or film types, it’s about developing a mindset that ensures your photos reflect genuine experiences instead of mere tourist snapshots.
It takes a combination of courage, self-confidence, and a relaxed, easygoing nature to feel comfortable approaching and photographing strangers. For some of us, this comes more naturally than for others, but is this a skill that we can develop with a view to becoming better street photographers?
